1596-1669 Italian Pietro da Cortona Galleries Italian painter, draughtsman and architect. He was, together with Gianlorenzo Bernini and Franceso Borromini, one of the three leading artists of the Roman Baroque. As a painter he developed the early Baroque style, initiated by Annibale Carracci, to a magnificent and imposing High Baroque. His fresco decorations set a standard for European Baroque painting until they were eclipsed by Giambattista Tiepolo's works and those of other Venetian masters of the 18th century. As an architect Cortona was far less influential. His imaginative designs for fa?ades and stucco decorations were, however, conclusive and independent solutions to problems central to Roman Baroque architecture.   Related Paintings of Pietro da Cortona :. | La Nativite de la Vierge | Venus as Huntress Appears to Aeneas | Ratto delle Sabine | The Samian Sibyl | Venus as a Huntress Appears to Aeneas (mk05) |
Related Artists:
Nebbia, Cesare
Italian, 1536-1614 Italian painter and draughtsman. He was a pupil of GIROLAMO MUZIANO and much influenced by Federico Zuccaro, and Vasari cited him as a promising painter. Between 1562 and 1575 Nebbia was continuously employed in Orvieto, producing altarpieces and frescoes in the cathedral, for example the Marriage at Cana (1569), the Crucifixion (1574) and the Crowning with Thorns (1575; all Orvieto, Mus. Opera Duomo). In Rome, where from 1579 his name appeared in the register of the Accademia di S Luca, he executed an Ecce homo and another Crowning with Thorns (1576; oratory of the Gonfalone), a Noli me tangere (1579; S Maria degli Angeli), decorations in the Sforza Chapel, S Maria Maggiore (1582), Heraclius Taking the Cross (1582-4; Santissimo Crocifisso), the Martyrdom of St Lawrence (1589; S Susanna) and decorations in the Borghese Chapel, Trinit? dei Monti (c. 1590). Under Pope Sixtus V he was responsible, with Giovanni Guerra, for the decorations in the Sistine Library, and he also worked on the Scala Santa, in the Vatican Palace and in the Lateran Palace. In 1597 he was principal of the Accademia di S Luca. Two years later he received payment for the cartoons of St Matthew and St Mark for the mosaics in the cupola of St Peter's. The following year he painted the Dream of Constantine (S Giovanni in Laterano). In 1603-4 he decorated, with Zuccaro, the hall in the Collegio Borromeo, Pavia. He retired to Orvieto in 1609.
Aved, Jacques-Andre-Joseph
French Painter, 1702-1766
George John Pinwell,RWS
1842-1875 English illustrator and painter. He was born in humble circumstances and was largely untrained. He was briefly a student at St Martin's Lane Art School and at Heatherley's. From 1863 he contributed woodblock illustrations to magazines, establishing his reputation in 1865 with the Dalziel brothers' editions of The Arabian Nights and The Works of Oliver Goldsmith. Pinwell's finest drawings were commissioned for the Dalziels' poetry gift-books. With another illustrator, John William North (1842-1924), he worked at Halsway Manor in Somerset in 1865, experimenting with formal effects based on the structure of stone farm buildings or on the wooden beams of barn interiors (his drawings do not seem to have survived). Some of the illustrations for A Round of Days (1866) and Wayside Posies (1867) present an ideal vision of the countryside, but a vein of social concern is also present. In The Journey's End, from Wayside Posies, a strolling player lies dead, worn out by hardship and hunger. For an illustrated edition of Jean Ingelow's Poems (1867),